Wild Roses. Of Monsters and Men


Wild roses on a bed of leaves in the month of May
I think I wrote my own pain
Oh, don’t you?
Down by the creek, I couldn’t sleep so I followed a feeling
Sounds like the vines, they are breathing
And I’ve seen the way the seasons change when I just give it time
But I feel out of my mind all the time
In the night I’m wild eyed, and you got me now
Oh roses, they don’t mean a thing you don’t understand
But why don’t we full on pretend?
Oh, won’t you?
Before I closed my eyes I saw a moth in the sky
And I wish I could fly that high
Oh, don’t you?
A serpent on a bed of leaves in the month of May
What do you want me to say?
(Oh it sounds like, it sounds like, it sounds like, it sounds, oh)
You keep me still when all I feel is an endless direction
When I think I’m losing connection
I see you
In the night I’m wild eyed, and you got me now
Dim the lights, we’re wild eyed, and you got me now
Oh roses, they don’t mean a thing you don’t understand
But why don’t we full on pretend?
Oh, won’t you?
Before I closed my eyes I saw a moth in the sky
And I wish I could fly that high
Oh, don’t you?
In the night, we’re wild eyed, and you got me now
Dim the lights, we’re wild eyed, and you got me now
In the night, I’m wild eyed, and you got me now

Songwriters: Nanna Bryndis Hilmarsdottir / Ragnar Thorhallsson
Wild Roses lyrics © Sony/ATV Music Publishing LLC

 

Bluebird. Charles Bukowski


there’s a bluebird in my heart that
wants to get out
but I’m too tough for him,
I say, stay in there, I’m not going
to let anybody see
you.
there’s a bluebird in my heart that
wants to get out
but I pour whiskey on him and inhale
cigarette smoke
and the whores and the bartenders
and the grocery clerks
never know that
he’s
in there.

there’s a bluebird in my heart that
wants to get out
but I’m too tough for him,
I say,
stay down, do you want to mess
me up?
you want to screw up the
works?
you want to blow my book sales in
Europe?
there’s a bluebird in my heart that
wants to get out
but I’m too clever, I only let him out
at night sometimes
when everybody’s asleep.
I say, I know that you’re there,
so don’t be
sad.
then I put him back,
but he’s singing a little
in there, I haven’t quite let him
die
and we sleep together like
that
with our
secret pact
and it’s nice enough to
make a man
weep, but I don’t
weep, do
you?

Sonnet 73: That time of year thou mayst in me behold. By William Shakespeare

That time of year thou mayst in me behold

When yellow leaves, or none, or few, do hang

Upon those boughs which shake against the cold,

Bare ruin’d choirs, where late the sweet birds sang.

In me thou see’st the twilight of such day

As after sunset fadeth in the west,

Which by and by black night doth take away,

Death’s second self, that seals up all in rest.

In me thou see’st the glowing of such fire

That on the ashes of his youth doth lie,

As the death-bed whereon it must expire,

Consum’d with that which it was nourish’d by.

This thou perceiv’st, which makes thy love more strong,

To love that well which thou must leave ere long.

A good whoopin’

A good whoopin’.

It’s happened to many of us.  To the fortunate others, it has not.  Corporal punishment.  Punishment intended to cause pain.  In polite, more acceptable terms, a spanking or a paddling.  Less acceptable, but perhaps more accurate: slapped with an angry hand, whipped with a belt, struck with an object like a stick, ruler, or spatula.   A caning, a thrashing, flagellation, a strapping, a lacing, or at the more extreme end: a beating.  A good whoopin’.

“Pull down your pants.”

The anticipation.  Then the delivery.  Whoosh, crack, pain.  Just like that.  Then again.  And again.

When I was a boy, my mother delivered the corporal punishment.  I was the oldest by about five years, so she had plenty of opportunity to get some of the meanness out of her system, as I never saw my brother or sisters experience what I had, though they did get the occasional spanking.

Was I just that much more incorrigible, a child who deserved to be smacked?  I asked myself that question many times.

I was mischievous, daring, an inveterate explorer, often pushing the boundaries.  I don’t recall a lot of lickings before my next sibling in line was born.  As best I can remember, it all started not long after my mother miss-carried and lost a brother I never knew when I was about three years old.  She and my father began arguing more, and yet, three more children were born.

I never saw my mother hit my father, nor my father hit my mother.  And my father never hit me.  But good ole’ Mom sure hit me.  Hard and often.  Sometimes it was a random strike at whatever part of me was most convenient.  A smack on the head, a punch in the shoulder, a slap in the face, a yank on my hair.  Other times it was an orchestrated event where I was orally chastised, often at great length, then the pants came down and I would take a set number of lashes in the biblical fashion on my bare ass.  It didn’t seem to depend on the transgression, as most I remember as being minor.   It depended on my mother’s mental state of the moment.  She had me pull down my pants, set me over her knee, and hit me with whatever was close at hand.  A yardstick, a ruler, a hairbrush, a stick, or a belt.

One time when she was hitting me with a yardstick, as I silently counted the blows, she broke the yardstick over my ass.  She stopped.  Then she laughed.  I counted this as good luck as she was only just getting started, and I laughed, as well.  I’d broken the yardstick on my skinny little butt!  I’m sure I didn’t consider how insane it was to laugh because I’d stopped being whipped.  I had yet to develop the keen sense of irony that I have to this day.

Mother had a variety of ways of meting out her punishments.  The most diabolical was to send me out to a willow thicket in the field and select a willow reed to be thrashed with.

“Go out and find yourself a strong willow branch and bring it back to me,” she’d say.  As you may know, willow branches are very flexible – they are like whips.  For ages, willow was used as a horse whip.  What a dilemma: I was to select the branch to be used in my punishment.

One day, when I was about 10, I didn’t return.  I just kept walking.  Past the willow grove, through the fields to my favorite spring-fed pond in the far reaches of the farm’s fields.  I sat in the shade of an old maple, or maybe it was a box elder, and thought long and hard about my alternatives.  Should I keep walking to the nearest road and not look back?  Should I just jump in the water and drown myself?  I didn’t know.

I sat for a very long time, then stripped off my clothes and jumped into the pond as I’d done many times before.  The cool water brought me around, cleared my head, and brought me back to the present.  I surfaced, and then I dove down again.  As the bottom grass tickled my face, I decided what to do.  I was going to walk back without the god-damned willow reed and announce that I was never going to the willow grove again.  If I was beaten, I’d get up in the middle of the night, take all the money I could find in the house, which wouldn’t be much, walk into town, and get on a bus to somewhere.  Anywhere.  And I’d never return.  I’d die first.

I went back to shore, slowly dressed, and then, over the hill, I saw my Grandpa walking to the pond.  He knew where to find me.  They’d been looking for me.  He took me in his arms, gave me a long hug, and I explained what had happened.  He shook his head and we walked back to my parents’ house without words.  He had me wait outside while he went in and talked with my mother.  When he came back out, he said, “You can go in now, there’ll be no lashing today.”  I walked through in through the kitchen, past my mother, who turned her back to me as I passed by, and went to my room.  Later, we all sat around the table to eat dinner in mostly silence.  I had little appetite.  I just wanted this dinner to be over.  I wanted this life to be over.

Much later, I talked to my grandparents about my mother’s behavior.  She was their only child.  They said they’d never touched her in anger or with malice when she was a child, and they did not understand how she came to be like this.  They thought it may have been due to a horse riding accident she’d had when she was seven years old.  Like me, she’d ridden and driven horses as a very young child.  Like me, she was a daredevil rider, and one day she was racing a car on the dirt road alongside the field when her horse stumbled at a full gallop, throwing her.  She hit her head on a rock and lost consciousness.  The car driver took her to the hospital in the nearest town of Beloit, Wisconsin.  She went into a coma and didn’t come out for three weeks.

When she finally opened her eyes, she couldn’t talk, walk or move her arms.  She wasn’t paralyzed.  Her brain had simply turned those functions off.  It took several months before she regained mobility and speech.  She had to learn to talk and move again from the beginning.

That was my grandparents’ theory, and it’s as good as any.  I just had to learn to protect myself from my mother when her brain was on fire.

Now, it’s often said that children who have experienced constant physical abuse often take on those same characteristics as they grow older and into adulthood.  It was exactly the opposite for me.  As a child, an adolescent, a teen and an adult, physical violence revolted me.  I looked on the school bullies with scorn and disgust.  I walked away from many fights, though I defended myself as necessary and defended others when needed.  I detested violent and aggressive school games like football, and I refused to play them.  My sports were track and field, skiing, basketball, skating, and riding horses.  To this day, I detest those who resort to physical violence.

I forgave my mother.  My grandmother often told me to “always forgive, but never forget.”  I follow her words to this day.

I’m most thankful for my grandparents and their farm across the field from my parents’ house.  I spent as much time as I could with them.  I loved the farming life, milking cows and goats, herding sheep on my horse with my grandfather’s German Shepherd, Prince, and being intensely involved in the life and death of every creature through all the seasons.  I enjoyed hard work and helping my grandfather with everything from fencing to haying to animal husbandry.  I nursed the orphan lambs through the first weeks of their lives. The farm gave me strength and purpose.

Here’s the final story I’ll tell on this subject.

One day, my mother came across the field from our house to my grandparents’ farm looking for me.  She was madder than a wet hen about something only known to her, and she started yelling at me about being irresponsible, not returning home on time, being just like my father, and whatever else surfaced.  I knew it was time to start putting distance between her and me, but when she saw me take off she grabbed the baseball bat I’d been playing with and came after me.  I headed for the nearest tree I could quickly climb at about the same time my grandfather came running from the barn.  He caught up with her, took the bat from her hands and told her to go home.  I spent the next days at my grandparents’ house, sleeping in my favorite place on earth, the large screen porch overlooking the big valley below.  It was pure peace.  I slept there many summer nights and late into the fall.

My mother, her soul at rest at last, used to say my grandparents “spoiled” me.

They didn’t spoil me.  They saved me.  I know exactly how lucky I am to have had them nearby.

Summers, I lived mostly with my grandparents.  My grandmother was an excellent cook, so I ate well.  She taught me about cooking and baking.  After supper, I played from the Lutheran hymnal or 1950s sheet music on Grandma’s old piano, listened to classical music on WCCO radio on the porch at bedtime, and drifted off into deep sleep.  I woke each morning to birds chatting in the misty sunrise that settled over the St. Croix River Valley from the porch of their 19th century farm house, had a hearty breakfast, and went out to help Grandpa with the chores.  I milked cows – and goats – collected the eggs for market, tended the huge garden, pruned trees in the apple orchards, rode my horse out into the fields, drove the tractor, and built forts.

As it happened, in the coming years I did run away from home a few times.  My mother and father got divorced.  My mother kicked me out of the house at 17.  Later in life, we reconciled to the extent we could.

All’s forgiven, nothing is forgotten.

 

Hey, can you guys come by to help me drop an engine into my Chevy?

Ever dropped an engine?  Into a car, that is.  I have, many times, back in the 1960s.

My first engine install was when I was 18 years old.  Dad had been an airplane mechanic, and he was a very competent car mechanic.  So I grew up with a wrench in my hand.  I’d bought a ’57 Chevy Bel Air four-door hardtop on the cheap, then wrecked it.  Went off the road in the early morning hours, through a fence, then end-over-end into a farmer’s field.  Flattened the top almost down to the dash.  My buddy and I were miraculously not injured, so we walked back to the road where there was a county sheriff waiting for us.  He had some questions.  Times being what they were, he told us to hop in and then gave us a ride home.  “Too bad you wrecked your car, but come by tomorrow and get it out of the field.  And get hold of the farmer to see about fixing his fence.”

This is almost exactly the same 1957 Chevy Bel Air four-door hardtop – even the same colors.

1957-chevrolet-bel-air-4-door.jpg

Next day, I got the Chevy home.  It was totaled, but the iconic small-block 283 V8 was just fine.  Word got out that I was looking for a car to put that engine in, and within days a friend towed over a ’55 Chevy Bel Air two-door hardtop with a blown 265 small-block V8 engine.  Perfect swap.

I got hold of a couple friends and we pushed the cars under a big oak tree, attached a block and tackle to the engine in the ’55, and started loosening bolts and tearing it out.  Took half a day.  The shade tree mechanics spent the rest of the day pulling the good 283 from the ’57.

Now came the interesting part – dropping the ’57 engine into the ’55.  In our haste to get me back on the road again, we hadn’t paid a lot of attention to what parts went where.  It all seemed so straight-forward as we worked away, banging our knuckles into bare metal, mixing blood with engine grease, and ripping everything apart.  Piles of parts everywhere.  Now we had to put it all back together.

I was not about to learn that dropping an engine into an engine bay was a lot trickier than taking one out.   We hoisted the engine and transmission on the block and tackle until it was dangling in mid air, then pushed the ’55 under it.  As we started to drop the engine in, we narrowly missed dropping it right through the windshield!

We finally got it in, secured the motor and transmission mounts, and then got to work installing the parts that would make it a whole car.  Connected the exhaust headers that had come with the ’55, and started on the drive shaft, wiring, gas line, radiator and cooling, and linkages – including the Hurst floor shifter.

Soon it was back together, and I was ready to turn the key and go for a spin.

It wouldn’t start.  It was turning over just fine, but it was just backfiring, which brought my next door neighbor over because it sounded like gunfire.  He was a veteran hot-rodder, so I immediately enlisted his expertise to find out why this pig would not grunt.  He couldn’t see anything.  Then he asked “the question”: did you take out the distributor and reinstall it?  Well, we had because when we were dropping the engine in, we’d mashed the distributor against the firewall and had to replace it with the spare distributor from the other engine.  He just smiled.

“Are you sure you got the distributor camshaft gear in exactly the right position?”

I thought we had, but there was an excellent chance we hadn’t.  So I pulled the distributor out and reinstalled it one notch over.  Pumped the gas, hit the key and it fired right up, sounding very sweet through those cherry bomb dual exhausts.

I was back on the road.  The ’55 was a mean looking car.  It had dark grey primered paint, no front bumper, and the front end was jacked up to give it the drag car look.  It sounded like a dragster, and it went like hell.  I drove it back and forth to college for about a half a year.  Never got a ticket.

Took a little searching, but here is a photo that comes very close to my ’55 Chevy two-door hardtop.  Primered paint, no bumper, mags on the front but not the rear.  Ruff, ready, and willin’!  See trailer at the end for a clip of “Two-Land Blacktop.”

1955-chevy-bel-air-2dr-hard-top.jpg

The end came on a back road on the way home from school one afternoon.  I was doing about 85 mph when there was a loud bang, the oil pressure gauge dropped to zero, and the exhaust turned to black smoke that appeared to mixed with some kind of particles.

I’d blown the engine.

I didn’t have time to swap in another engine, so I sold it cheap to a hot-rodder buddy.  He took the engine apart and told me the inside was just a mangled mass of rod bearings and parts of pistons.  He dropped in a 327 Corvette engine and raced it at the local drag strip.

I replaced it with a ’58 Chevy two-door hardtop – pretty blue with that venerable 283 V8.  Floor shifter, headers and very mellow sounding dual exhausts.  It needed a clutch, so I picked it up cheap and installed a clutch in my back yard, scooting around on my back in the dirt.

Here’s an image of the same model ’58 Chevy Bel Air two-door hardtop as the one I owned, except that the car was solid blue, not two-tone.

1958-chevrolet-bel-air.jpg

Over the next several years, I did a couple more engine swaps.  Dropped a 327 into my ’65 Impala Super Sport, swapped a Mercedes OHC six cylinder into my ’62 Mercedes 220S,  put a junk yard engine in a ’73 Pinto (why bother, one might ask), and even swapped a English Ford engine into a cute little ’58 English Ford Squire station wagon.

Never again!

Here’s a couple minutes of one of my all-time favorite films: “Two-Lane Blacktop,” starring songwriter James Taylor, Beach Boys drummer Dennis Wilson, actor/director Warren Oates and Laurie Bird.  And – a primered out ’55 Chevy!